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6madly9:

Pure cannabis cigars, consisting of marajuana bud soaked in THC oil, then rolled in broad cannabis topleaf. The best

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6madly9: Pure cannabis cigars, consisting of marajuana bud soaked in THC oil, then rolled in broad cannabis topleaf. The best
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loieloie:

lneda:

Ferdinand Max Bredt - Femmes Turques [1883] by Gandalf’s Gallery on Flickr.

Ferdinand Max Bredt - Femmes Turques [1883]

gorgeous, gorgeous

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loieloie: lneda: Ferdinand Max Bredt - Femmes Turques [1883] by Gandalf’s Gallery on Flickr. Ferdinand Max Bredt - Femmes Turques [1883] gorgeous, gorgeous
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museumuesum:

Miroslav Tichy

Unique gelatin silver prints, c. 1960s-1980s

This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.

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museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
museumuesum: Miroslav Tichy Unique gelatin silver prints, c. 1960s-1980s This master of 20th century photography was only discovered some 6 years ago and left a radical and unorthodox body of photography focused on the female figure. After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. By the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted silver gelatin prints made on handmade enlargers to hand-made mounts and frames, added finishing touches with pencil, and thus moved them back in the direction of drawing. The result are works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime.
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johnmaus:

neonponies:

John Baldessari // Woman with Pillow, 2003

hank ur a genius

Permalink (34 notes)Source: neonponiesVia: johnmaus
johnmaus: neonponies: John Baldessari // Woman with Pillow, 2003 hank ur a genius